Make a home for your orphaned blocks!
Orphaned blocks can find their way into any quilter's life. Whether they are leftover from an unfinished project, collectible blocks found at a garage sale, or even antique blocks discovered in your great-aunt's attic, Tricia Lynn Maloney will teach you how to care for your orphan blocks, and make a home for them.
Orphan Block Quilts includes:
*14 projects, with 11 variations. From full-size bed quilts to table runners, these projects incorporate blocks from the 1880s to the 1950s.
*Instructions on caring for your orphan blocks. Find out about the common problems you might encounter with your orphans, and how to work with them.
*Advice on designing a setting. Not only does Tricia provide guidance on creating companions blocks and finding companion fabric, she also offers insight on how she overcame the design challenges of each project.
*The story behind each quilt. In addition to historical information about various fabrics and blocks, Tricia shares the stories of two of the blockmakers, providing a precious glimpse of the lives sewn into the seams of the blocks.
If you don't have any orphan blocks, Tricia gives you advice on locating potential sources, whether from your own family or online. And it's easy to substitute brand-new blocks, and make a new quilt from the ground up. Check out the 11 variations in the book, where Tricia did just that!
Whether your orphan blocks are antique, vintage, collectible or simply leftover from a recent project, you can sew the perfect setting that will let the blocks shine!
This publication offers a new, revised edition of a work that was hailed, when it first appeared, as the most useful art-historical reference book to have been published in recent decades. It is a Handbook of Sources, documenting and illustrating the most significant antique works of art known to Renaissance artists. More than 500 illustrations show Greek and Roman statues, mythological and historical reliefs as well as triumphal arches together with Renaissance drawings, engravings, bronzes and paintings to demonstrate how and where these classical monuments were discovered and recorded, and how they were copied, adapted, combined and transformed into the style and iconography we now recognize as Renaissance art.The authors, Professor Phyllis Bober and Dr. Ruth Rubinstein, based their selection on the Census of Antique Works of Art and Architecture known in the Renaissance, begun at the Warburg Institute in London as a reference catalogue, but continuously extended thereafter and now transferred into a modern web-based database system accessible on the internet. The authors arranged their illustrative material and their encyclopaedic catalogue thematically, giving full descriptions and history of each antique work, listing Renaissance representations and adaptations, and citing relevant literature. In addition, the myths and legends featured in the classical works are retold briefly in each case to help the reader follow the narrative particularly in the many sarcophagus reliefs reproduced.Although the book has been reprinted twice since its first appearance, only minor revisions had until now been included. Sadly, neither author has lived to see the present publication, but corrections and additions to the Catalogue and the Appendices continued up to the time of their deaths, and Ruth Rubinstein spent the last decade of her life preparing this second edition with substantial catalogue revisions and significant additions to the Bibliography.In addition to Phyllis Bober's introductory essay, which considers the cultural impact of classical Antiquity on Renaissance masters, the handbook also includes two important Appendices: an annotated Index of Renaissance Artists and Sketchbooks, and a descriptive and illustrated Index of Renaissance Collections.
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